Puck (A Midsummer Night's Dream)

Vince Cardinale as Puck from the Carmel Shakespeare Festival production of A Midsummer Night's Dream, September 2000

Puck, or Robin Goodfellow, is a character in William Shakespeare's play, A Midsummer Night's Dream.

Based on the Puck of English mythology and the púca of Celtic mythology, Puck is a mischievous fairy, sprite, or jester. He is the first of the main fairy characters to appear, and he significantly influences events in the play. He delights in pranks such as replacing Bottom's head with that of an ass.

Appearances in the play

Oil painting representing Puck as a baby with pointed ears and curly blonde hair sitting on an enormous mushroom in a forest. He holds a small posy and grins mischievously.
Puck (1789) by Joshua Reynolds

The audience is introduced to Puck in 2.1:

FAIRY:
Either I mistake your shape and making quite,
Or else you are that shrewd and knavish sprite
Call'd Robin Goodfellow: are you not he
That frights the maidens of the villagery;
Skim milk, and sometimes labour in the quern,
And bootless make the breathless housewife churn;⁠
And sometime make the drink to bear no barm;
Mislead night wanderers, laughing at their harm?
Those that Hobgoblin call you and sweet Puck,
You do their work, and they shall have good luck:⁠
Are you not he?

PUCK:
                                Fairy, thou speak'st aright;
I am that merry wanderer of the night.
I jest to Oberon, and make him smile⁠
When I a fat and bean-fed horse beguile
Neighing in likeness of a filly foal;
And sometime lurk I in a gossip's bowl,
In very likeness of a roasted crab;⁠
And, when she drinks, against her lips I bob
And on her wither'd dewlap pour the ale.
The wisest aunt, telling the saddest tale,
Sometime for three-foot stool mistaketh me;⁠
Then slip I from her bum, down topples she,
And 'tailor' cries, and falls into a cough;
And then the whole quire hold their hips and laugh;
And waxen in their mirth, and neeze, and swear⁠
A merrier hour was never wasted there [2.1.32-57].

Puck (c. 1810–1820), Henry Fuseli's depiction of the character

Puck serves the fairy king Oberon. Oberon is angry with Titania, the fairy queen, because she will not let him have a particular "little changeling boy" (2.1.120). Oberon sends Puck to fetch a particular flower, whereof the juice "on sleeping eyelids laid / Will make or man or woman madly dote / Upon the next live creature that it sees" (2.1.170-72). Puck is told to apply some of it to the "disdainful youth" (2.1.261) in "Athenian garments" (2.1.264), but Puck mistakes Lysander for Demetrius and applies it to Lysander. Oberon applies some of the juice to Titania, and Titania is waked by a singing Nick Bottom, whose head Puck has changed to that of an ass. Later, Puck is ordered to rectify his mistake with Lysander and Demetrius, and he creates a black fog through which he separates the "testy rivals" (3.2.358), imitating their voices until they are asleep. Puck has the final lines of the play:

Puck by William Dyce, (1825) Aberdeen Archives, Gallery and Museums

If we shadows have offended,
Think but this, and all is mended.
That you have but slumber'd here
While these visions did appear.⁠
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend:
If you pardon, we will mend.⁠
And, as I'm an honest Puck,
If we have unearned luck
Now to 'scape the serpent's tongue,
We will make amends ere long;⁠
Else the Puck a liar call:
So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends [5.1.433-48].

Name of character

The original texts of Shakespeare's plays do not have cast-lists, and are not always consistent with characters' names. Puck's case is particularly awkward. Both the Quarto and the First Folio call the character "Robin Goodfellow" on the first entrance, but "Puck" later in the same scene, and they remain inconsistent. The Arden Shakespeare calls the character "Puck", and emends all stage directions (but not actual dialogue) that refer to the character as "Robin" or "Robin Goodfellow".

Portrayals

Puck by Carl Andersson (sculptor), Midsommarkransen, Stockholm, Sweden

Film and TV

Videogames

Theatre

School productions

Painting and sculpture

Logo for the magazine Puck, 1871-1918

Music

  • French pianist and composer Claude Debussy dedicated a prelude to Puck, La danse de Puck.

Literature