Mary Queen of Scots (2018 film)
| Mary Queen of Scots | |
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 Theatrical release poster
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| Directed by | Josie Rourke |
| Screenplay by | Beau Willimon |
| Based on |
Queen of Scots: The True Life of Mary Stuart by John Guy |
| Produced by | |
| Starring | |
| Cinematography | John Mathieson |
| Edited by | Chris Dickens |
| Music by | Max Richter |
Production companies |
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| Distributed by |
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Release dates |
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Running time |
125 minutes |
| Countries |
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| Language | English |
| Budget | $25 million |
| Box office | $46.7 million |
Mary Queen of Scots is a 2018 historical drama film directed by Josie Rourke (in her feature directorial debut) and with a screenplay by Beau Willimon based on John Guy's 2004 biography Queen of Scots: The True Life of Mary Stuart. The film stars Saoirse Ronan as Mary, Queen of Scots, and Margot Robbie as her cousin Queen Elizabeth I. Jack Lowden, Joe Alwyn, David Tennant, and Guy Pearce also star in supporting roles.
Mary Queen of Scots had its world premiere on closing night of AFI Fest on 15 November 2018, was released in the United States on 7 December 2018, and in the United Kingdom on 18 January 2019. The film received mixed reviews, with praise for the performances (particularly Robbie) and costumes, but was criticised for the screenplay and several historical inaccuracies. The film received three nominations at the 72nd British Academy Film Awards, and two nominations, for Best Costume Design and Best Makeup and Hairstyling, at the 91st Academy Awards. For her performance, Robbie earned nominations for a SAG Award and BAFTA Award for Best Supporting Actress.
Plot
In 1561, after the death of her husband, King Francis II, nineteen-year-old Mary Stuart returns to Scotland from France to take up her throne. Mary is received by her illegitimate half brother, James Stewart, Earl of Moray. In neighboring England, Her twenty-eight year old cousin, Elizabeth Tudor, is the Protestant Queen of England – Elizabeth, who is unmarried and childless, is threatened by Mary's strong claim to the English throne. Mary dismisses the cleric John Knox, a Protestant leader of the Scottish Reformation, from her court. Knox views the young Catholic queen as a danger to the Protestant religion in Scotland.
Seeking to weaken her cousin's threat, Elizabeth arranges for Mary, whom many English Catholics regard as England's rightful queen, to be married to an Englishman. She chooses Lord Robert Dudley, Elizabeth’s childhood friend whom Elizabeth secretly loves; although he and Mary are unwilling, news of Elizabeth's smallpox convinces Mary to accept, provided she is named heir apparent. Reluctant to let go of Dudley, Elizabeth sends Henry Stuart, Lord Darnley to Scotland with the pretence of living under their religious freedom. Despite sensing the ulterior motive, Mary grows fond of Darnley and accepts his proposal.
Mary's marriage causes a constitutional crisis within both realms: Elizabeth is advised to oppose her cousin's marriage for fear that Darnley, an English noble, will elevate Mary's claim to the crown; Mary's council is suspicious of Darnley, fearing an English takeover. Both kingdoms demand his return to England but Mary refuses, leading Moray to mount a rebellion against her. Mary marries Darnley, only to discover him in bed with her private secretary, David Rizzio. Mary defeats the rebel forces but spares Rizzio and Moray, and demands that Darnley give her a child. When their son, James, is conceived and born, Mary declares she brings "an heir to Scotland and to England" – offending the English.
Moray colludes with Darnley's father, Matthew Stewart, 4th Earl of Lennox, to undermine Mary. They spread false rumurs that her son was actually fathered by Rizzio, driving Knox to denounce Mary vehemently as an adulteress. Fearing these accusations and the possible discovery of his homosexuality, Darnley is coerced into murdering Rizzio.
Discovering the plot, Mary convinces Darnley to side with and escape with her instead, which turns out to be a ploy for her army to detain him. Mary agrees to pardon the conspirators if she is presented with evidence that Darnley took part. She ultimately forgives Moray, and asks Elizabeth to be James's godmother. Both queens agree James is the heir presumptive, despite the English court's hostility. Mary banishes Darnley but refuses to divorce him, despite the appeals of her council, which approaches her adviser and protector, James Hepburn, Earl of Bothwell, to have him killed.
After Darnley's murder, Mary is forced to flee, leaving behind her son. Bothwell says that her council has decided she must marry a Scotsman immediately—and that Scotsman should be Bothwell himself. Mary resists, and suspects he was involved in Darnley's murder, but after he threatens and subsequently rapes her, she consents. Knox preaches that Mary is a "harlot" who had her husband killed, leading Moray and her court to demand her abdication. Mary obliges, and flees to England.
Elizabeth arranges a clandestine meeting, where Mary asks for help to take back her throne. Unwilling to go to war on behalf of a Catholic queen, Elizabeth promises a safe exile in England as long as Mary did not aid Elizabeth's enemies. Mary responds that if she does, it will only be because Elizabeth forced her to do so, and threatens that should Elizabeth kill her, she should remember that she had "murdered her own sister and queen." Placing Mary under house arrest, Elizabeth receives compelling evidence that Mary conspired with her enemies to have her assassinated, and reluctantly orders Mary's execution. As Mary walks to the scaffold, a remorseful Elizabeth cries for her. Mary then reveals a bright red dress, implying herself to be a martyr. In her final thoughts, Mary hopes James would have a peaceful reign.
A post-script notes that upon Elizabeth's death in 1603, James VI became the first monarch to rule both Scotland and England.
Cast
- Saoirse Ronan as Mary, Queen of Scots, Elizabeth's first cousin once-removed and the Queen of Scotland.
- Margot Robbie as Queen Elizabeth I, Mary's first cousin once-removed and the Queen of England.
- Jack Lowden as Henry Stuart, Lord Darnley, Mary's second husband.
- Joe Alwyn as Lord Robert Dudley, Elizabeth's counselor, childhood friend, and lover.
- David Tennant as John Knox, founder of the Church of Scotland.
- Guy Pearce as William Cecil, advisor to Elizabeth
- Gemma Chan as Bess of Hardwick, a friend and confidante of Elizabeth and keeper of Mary.
- Martin Compston as James Hepburn, Earl of Bothwell, Mary's third husband.
- Ismael Cruz Córdova as David Rizzio, Mary's close friend and confidant.
- Brendan Coyle as Mathew Stewart, Earl of Lennox, father of Lord Darnley.
- Ian Hart as Lord Maitland, Secretary of State of Scotland.
- Adrian Lester as Lord Randolph, Elizabeth's ambassador to Scotland.
- James McArdle as James, Earl of Moray, Regent of Scotland and Mary's illegitimate older half brother.
In addition, Eileen O’Higgins, Maria-Victoria Dragus, Izuka Hoyle and Liah O'Prey are seen throughout the film as Mary's personal attendants, historically known as "The Four Marys", Mary Beaton, Mary Fleming, Mary Seton and Mary Livingston, respectively. Alex Beckett, who appears as Sir Walter Mildmay, English Chancellor of the Exchequer, died at age 35, seven months before the film's release; the film is dedicated to his memory.
The director, Josie Rourke, followed the principle of colour-blind casting. The movie portrays the English ambassador to the Scottish Court, Lord Thomas Randolph, as a black man, which he was not. Gemma Chan's character is Elizabeth Hardwick, who in real life was white. Rourke told the L.A. Times: "I was really clear, I would not direct an all-white period drama."
Production
The film was originally planned to be a Scarlett Johansson vehicle, scheduled to begin shooting in mid-2007 on a $25–30 million budget. After Johansson dropped out, the film languished in development hell for several years. On 9 August 2012, it was announced that Saoirse Ronan would play the title role of Mary Stuart. It took another five years, until 21 April 2017, until it was announced that Margot Robbie was cast to play Queen Elizabeth I, and that the film was scheduled to commence principal photography in August 2017. The film based on John Guy's biography My Heart Is My Own: The Life of Mary Queen of Scots would be produced by Working Title's Tim Bevan, Eric Fellner, and Debra Hayward, and HBI Production's James Biggam. Josie Rourke was announced to direct the film from an adapted screenplay by Beau Willimon.
On 13 June 2017, Jack Lowden was announced to play Lord Darnley, while Joe Alwyn was announced to play Robert Dudley. On 22 June 2017, it was reported that Martin Compston was cast in the film to play James Hepburn, 4th Earl of Bothwell, the third husband of Stuart. On 23 June 2017, German-Romanian actress Maria-Victoria Dragus had also joined the cast to play Scottish noblewoman and childhood friend of Stuart, Mary Fleming, marking her English-language debut in film, having a minor role previously in Australian teen drama Dance Academy. On 17 August 2017, Brendan Coyle, David Tennant, and Guy Pearce joined the cast, followed by Gemma Chan the next day. On 22 August, Ismael Cruz Córdova was cast to play David Rizzio, Mary's close friend and confidant.
Focus Features handled the domestic rights while Universal Pictures handled the international distribution. The crew on the film included Academy Award winners costume designer Alexandra Byrne, hair and make-up designer Jenny Shircore and editor Chris Dickens; Emmy Award-winning production designer James Merifield; and BAFTA Award-winning cinematographer John Mathieson.
Principal photography began on 17 August 2017, in various locations around the United Kingdom, including Scotland.
Release
It had its world premiere at the closing night gala of AFI Fest on 15 November 2018 in Los Angeles, CA. The film was released in the United States on 7 December 2018, and in the United Kingdom on 18 January 2019.
Historicity
Historians have heavily criticised the inaccuracies of the story. Mary and Elizabeth's letters to each other are believed to have been their only sources of communication, and they are not known to have met.
There have been suggestions that Mary would not have had a Scottish accent. The five-year-old Mary was sent to France, where she grew up in the French Court. In the film, Mary and her attendants often converse in French.
Estelle Paranque, an expert on Queen Elizabeth I, told The Daily Telegraph: "It shows a friendship at first, but there was not a friendship, Elizabeth tried to be kind to her at first but Mary never saw Elizabeth as an equal. She saw her as a rival from the start."
Soundtrack
Max Richter provided a fairly-modern musical score blending with the 16th century periodic music, as Rourke gave him creative freedom to experiment on the score. The score consisted of instruments with a "female voice" such as the cor anglais—being used for Mary's voice—the viol and harp, while drums, bass and percussion were used for the male characters and their quest in the battlefield. The score, recorded at the Air Studios in London and performed by 110-piece orchestra and 12-member female choir from London Voices, released by Deutsche Grammophon on 7 December 2018.
Reception
Box office
Mary Queen of Scots grossed $16.5 million in the United States and Canada, and $29.9 million in other countries, for a total worldwide gross of $46.4 million.
Critical response
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 62% based on 290 reviews, with an average rating of 6.2/10. The website's critical consensus reads, "Mary Queen of Scots delivers uneven period political thrills while offering a solid showcase for the talents of its well-matched leads." On Metacritic, the film has a weighted average score of 60 out of 100, based on 47 critics, indicating "mixed or average reviews". Audiences polled by PostTrak gave the film 2.5 out of 5 stars, with 38% saying they would definitely recommend it.
Reviewers criticised the film's historicity, its plotting and its sex scenes. Emily Yoshida of New York magazine's Vulture site called it "a kind of nothing of a film. It's neither a rigorous history lesson nor a particularly interesting work of drama and character"; Shane Watson of The Telegraph called it "history porn for the Instagram generation"; while A.O. Scott of The New York Times said that "students of Scottish history may be surprised to learn that the fate of the nation was partly decided by an act of cunnilingus".