Aga of Kish

Aga
๐’€๐’‚ต
Aga depicted on the Stele of Ushumgal as official of the Great Assembly of Umma
King of the First dynasty of Kish
Reign EDI (2900-2700 BC)
Predecessor Enmebaragesi
Successor End of Kishite hegemony Gilgamesh (Uruk Dynasty)
Father Enmebaragesi

Aga (Sumerian:๐’€๐’‚ต) commonly known as Aga of Kish, was the twenty-third and last king in the first dynasty of Kish during the Early Dynastic I period. He is listed in the Sumerian King List and many sources as the son of Enmebaragesi. The Kishite king ruled the city at its peak, probably reaching beyond the territory of Kish, including Umma and Zabala.

The Sumerian poem Gilgamesh and Aga records the Kishite siege of Uruk after its lord Gilgamesh refused to submit to Aga, ending in Aga's defeat and consequently the fall of Kish's hegemony.

Name

The name of Aga is Sumerian and a relatively rarely attested personal name in Early Dynastic times, making his identification in royal texts spottable. His name appears in the Stele of Ushumgal, as the gal-ukkin ("Great Assembly official").

AK (๐’€) was likely an Early Dynastic spelling of Akka, (the past particle of the Sumerian verb "to make"). The name in question is to be interpreted as a Sumerian genitival phrase, Akka probably means "Made by [a god]" (ak + Divine Name.ak).

Drawin of Aga on the Stele of Ushumgal. He is named as "Aga of the Great Assembly"
Gem of King Aga
Gem of unknown provenance mentioning Ak (๐’€), an alternate naming for Aga. The gem has four columns of text on its faces, and reads "For Inanna, Aga King of Umma" (๐’€ญ๐’ˆน๐’€๐’ˆ—๐’„‘๐’†ต๐’† , dinanna ak lugal ummaki).
Distinct forms attested of Aga's name
Cuneiform Transliteration Main inscription Period
๐’€
Ag/Ak
Stele of Ushumgal
Gem of King Aga
2900-2700 BC
๐’€๐’‚ต
Ag-ga/Ak-ka
1900โ€“1600 BC
๐’€๐’ƒท
Ag-ga3/Ak-ka3
1900โ€“1600 BC

Historical king

Aga is attested in two compositions of an historiographical nature, the Sumerian King List and the Tummal Inscription, both as the son of Enmebaragesi, who has been verified through archaeological inscriptions; these sources may confirm Aga and Gilgamesh's existence. Aga's name appears in the Stele of Ushumgal and the Gem of King Aga, both showing influence over Umma.

Enmebaragesi,
the king in this very city (Nippur),
built the House of Enlil,
Agga the son of Enmebaragesi,
made the Tummal pre-eminent.

โ€”โ€ŠOld Babylonian tablet Tummal Inscription (1900-1600 BCE)

Reign

According to the Sumerian King List (ETCSL 2.1.1), Kish had the hegemony of Sumer where he reigned 625 years, succeeding his father Enmebaragesi to the throne, finally ending in defeat by Uruk.

The use of the royal title King of Kish expressing a claim of national rulership owes its prestige to the fact that Kish once did rule the entire nation. His reign probably covered Umma, and consequently Zabala, which was a dependent of it in the Early Dynastic Period; this can be supported on his appearance in the Gem of King Aga, where he is mentioned as the king of Umma. There is some scant evidence to suggest that like the later Ur III kings, the rulers of ED Kish sought to ingratiate themselves to the authorities in Nippur, possibly to legitimize a claim for leadership over the land of Sumer or at least part of it. Archeological evidence from Kish shows a city flourishing in ED II with its political influence extending beyond the territory, however in ED III the city declined rapidly.

Gilgamesh and Aga

In the poem Gilgamesh and Aga (ETCSL 1.8.1.1), Aga of Kish sends messengers to his vassal Gilgamesh in Uruk with a demand slave labor for the irrigation of Kish.

There are wells to be finished.
There are wells in the land to be finished.
There are shallow wells in the land to be completed.
There are deep wells and hoisting ropes to be completed.

โ€”โ€ŠAga commanding Uruk to work for the irrigation of Kish.

Gilgamesh repeats the message before the "city fathers" (ab-ba-iri) to suggest defiance of Aga, but the elders refuse. Gilgamesh, goes on to incite rebellion among the guruลก (able-bodied men) who would have to do the labor. They refer to Aga as the "son of the king", which suggests he was still young and immature. The guruลก accept Gilgamesh's call to revolt and declare him lugal (king).

After ten days, Aga lays siege to the walls of Uruk, whose citizens are now confused and intimidated. Gilgamesh asks for a volunteer to stand before Aga; his royal guard Birhurtura offers himself. On leaving the city gates, he is captured and brought before Aga, who interrogates and tortures him. Aga asks an Uruk soldier leaning over the wall if Birhurtura is his king. Birhurtura denies this, replying that when the true king appears, he will beat capture Aga and beat his army to dust. The infuriated Aga redoubles his torture.

Then Gilgamesh leans over the wall. Aga withstands his divine radiance, but it terrifies the Kishite army. Enkidu and the guruลก take advantage of their confusion to cut through them and capture Aga in the middle of his army. Gilgamesh addresses Aga as his superior, remembering how Aga saved his life and gave him refuge; Aga withdraws his demand and begs his favor to be returned. Gilgamesh, in the sight of his god Utu, sets Aga free to return to Kish.

Story of Gilgamesh and Aga
Story of Gilgamesh and Aga. Old Babylonian period. Sulaymaniyah Museum, Iraq

Replacement in the poem

The Shulgi Hymn O (ETCSL 2.1.1) of the Ur III ruler Shulgi (c. 2094 BC โ€“ 2047 BC) praises Gilgamesh for defeating Enmebaragesi of Kish rather than his son. While such an encounter is quite conceivable, the assumption of two different wars is difficult to uphold because Gilgamesh emerges as victorious in both; his first victory would have left Kish already defeated, pre-empting the second victory. If Gilgamesh had won a previous war against Kish, he would not have spoken with Aga of past military cooperation and indebtedness for saving his life.

Another theory is that for literary considerations, the founding hegemon Enmebaragesi would be a more impressive opponent than his son. Enmebaragesi was merely inserted to replace Aga, and the different versions of the hymn constitute to a single literary work.

See also